Wednesday, December 19, 2007

Novels About Schools

Blackwell's is my favorite bookstore in Oxford, established in 1879. It feels cozy but is enormous like a college library.

For inspiration writing S.A.D., I have read five good novels about schools. I’m passing the list along in case you’re looking for holiday reading or gifts. On that note, next week's blog might be one day late.

The closest book to my S.A.D. is Tom Perrotta’s The Abstinence Teacher released this fall in the U.S.A. It’s not due in the U.K. until January, so my mother sent me a copy from NYC. The clocks are the only things ahead in England. [AND national health care, public television and punk rock, says my English husband.]

Both Perrotta’s and my novel concern evangelicals trying to change the high school curriculum. It's a coincidence as I started S.A.D. last year before his book was published. His novel looks at Sex Ed. while mine looks at Biology and the Intelligent Design vs. Evolution debate.

Perrotta is one of my favorite authors. His novels are at their best when parodying suburban life. Perrotta is clearly a devoted soccer dad, inviting you along for a ride in his minivan with a cynical laugh. Stonewood Heights is neither very liberal nor too conservative and appears the ideal place to raise a family. That is until the evangelicals spread through the community like The Invasion of the Body Snatchers.

The protagonist is a divorced sex-ed teacher and her romantic foil a Born Again former rocker drug abuser. Perrotta is surprisingly good at mastering both the female and the male voices, straight or gay, and creating real characters in tangible settings. He writes very well and manages to make all topics accessible and amusing.

The Abstinence Teacher is a catalogue of sexual dysfunction, but it only tackles teen sex as flashbacks by the middle aged characters. This seems a curious omission since teenage sexuality is a bigger issue now than in the 1980's. The book is tastefully done, not prurient, and based on a solid understanding of evangelicalism. It has gotten a couple of favorable reviews in the NYT and deserves the attention.

I also enjoyed Perrotta's Little Children, a humorous tale of suburban malaise. His first novel, Election, took six years to sell, and the movie writes sold first, staring Reese Witherspoon and Matthew Broderick. That one is also set in school, centering on a high school president election.

Another book set in an American public (ie. state) high school is Jodi Picoult’s latest, Nineteen Minutes. Picoult’s novel tries to understand school shootings from the perpetrator’s perspective. It’s a disturbing look at bullying and the shortfall of community. The accused shooter is almost as much a victim as his targets.

Picoult is a master of writing fast-paced, topical stories centered on families. Her books appeal to both teens and adults as she dexterously bridges the generation gap with the sensitivity of a former teacher. She's had many best sellers, even internationally. On almost any airplane ride, you'll find a woman reading one and gripped. It's not fluff: Picoult does her research, tackles the issues and writes well.

Her work is distinct, a genre to itself. Amazingly, Picoult produces a new novel every nine months. She notes with amusement that it is the same duration as pregnancy. It helps that her husband is at home raising their three children. Despite the upsetting topics, her books are easy reads. Another one that questions conventional ethics in the new world is My Sister’s Keeper. I just started The Tenth Circle.

David Mitchell’s Black Swan Green is another book about bullying in school, but his tale takes place at an English state school during the 1980’s. It’s full of fun, nostalgic trivia. The narrator is a 13-year-old boy and a secret poet with an embarrassing stammer. The accounts of bullying are so real that they are hard to read, but Mitchell balances the darkness with humor.

Mitchell’s voice is original and engaging. I’m looking forward to reading more of his work. Structurally Black Swan Green reads like interlocking short stories or some YA chapter books. My 13-year-old son enjoyed it too, although it is more geared towards an adult audience. It’s a book that works on two levels of maturity. My husband is reading it now. It’s one of the best books I’ve read this year. It’s so well written.

Curtis Sittenfeld’s Prep is about the elite world of New England boarding schools. A Midwesterner gets a scholarship to a school similar to Groton (Sittenfeld is an alum.) Leigh struggles academically and socially, making poor choices, especially sexually. She obsesses over a boy who is as accepted as she is spurned. Prep is a keen observation of setting and character. Unfortunately the protagonist is not likable enough to be sympathetic. Still it is an interesting view of privilege and class.

Like Picoult’s books, Prep has been popular with teenagers as well as adults. Prep is far less appropriate for teens than a Picoult novel. Picoult suffuses her narratives with moral lessons on safe sex and the consequences of bullying, whereas Sittenfeld paints a realistic portrait of degradation like rotting, over-priced fruit. There is a voyeuristic feel to Prep, but the writing is sophisticated.

If you’re looking for a more cozy-up-by-the-fire book, I’d recommend Joanna Trollope’s The Choir, even for those not religiously inclined. It’s a heartwarming story of village life in England where the clash between old and new generations takes on layers of meaning. Trollope writes well and is engaging, although sometimes her myriad of characters are hard to follow.

Trouble starts when the vicar proposes to renovate the church at the expense of the boys’ choir. The choir school dates back to King Henry VIII but lacks legal standing. The town is torn apart by the controversy that tests old friendships and divides families. In this way, The Choir is similar to S.A.D. as an exploration of the inter-personal, quirky world of small town politics and the danger of mixing church and state.

Happy Holidays and Good Reading!

Click on "comments" at the bottom of Unusual Holiday Lights for more school books.

If you know of other good novels on schools, please comment below.

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Wednesday, July 4, 2007

Reading on Nantucket


Best to arrive by sea to Nantucket. Two hours of rocking on gentle waves lulls away tension. My children giggle teary-eyed at the ferry’s bow, their shirts ballooning. Cape Cod becomes a smeared line on the horizon before sinking. Sailboats blow by like feathers on the wind. Slowly, an island rises in the fog.

Rounding the tiny lighthouse at Brant Point, we enter an expansive harbor of sailing yachts. From this viewpoint not much has changed in decades. Squinting into the mist, it could still be a wealthy whaling town with its cobblestones, gas lamps and venerable architecture.


For over three decades my family has been coming to Nantucket. The grey-weathered shingles climbing with roses were a welcome contrast to hot concrete. The island is wrapped in an endless beach with the Gulf Stream warming the water. At night elegant restaurants take advantage of local farms and day boat fish.


Mostly I come to Nantucket to read. There are two independent bookstores and a good library in town. Nantucket Bookworks has a large selection of modern classics while Mitchell’s Book Corner stocks more current women authors. By odd coincidence the three books I read were gender benders: two men writing about women and one woman writing about men.


Haruki Murakami’s just released After Dark is a departure from his recent novels. The main characters are female: one sister with insomnia and another trapped in sleep. It reads more like a stretched short story or a dream unfolding over one night. It lacked the well-structured plot of his other novels, but it was just as surreal and evocative of alienation in modern Tokyo. He is one of my favorite authors with his original voice and flawless prose.

Ian McEwan’s Atonement left me stunned. It brought to mind Jane Austen, Evelyn Waugh and Leon Uris, but it stands independently as a modern classic. It’s an intensely human book with characters that are deeply flawed but sympathetic and real. McEwan writes so well about women and family. Set during World War II amidst class conflict, it’s a depressing story but told with such eloquence as to be uplifting. It’s a good vacation book because once you start, it’s impossible to put down.

Annie Proulx’s Close Range includes the story that became the movie Brokeback Mountain. That sad tale was one of the more upbeat stories in this beautiful collection. In this book it is a woman writing in a male voice. The writing is as raw and stunning as the western landscape. I find her work an inspiration, although bleaker than I would dare to venture. Proulx allows the landscape to become a character in the narrative; more than a setting, it sets the tone.

Writing is quite like painting. First mix the characters and then block out the plot before finding the light, the shadows and the details. The trick is holding onto the negative space – you feel that with Proulx. Her art is as much about what she doesn’t say as what she does. There is no better teacher than a well-written book.

Happy July 4th!

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Wednesday, June 20, 2007

Bath


On summer evenings the skies are a bright blue that glows from the horizon and intensifies in hue above. The buildings jump out in sharp relief, looking like you’ve put on glasses for the first time. Low humidity, a gentle sea breeze and a warm sun slow to set mark June in Maine. There’s a quiet peacefulness: a lingering “ahh” after the long winter and before the busy rush of tourist season.


After a day on Popham Beach, we sometimes treat ourselves to dinner in Bath. We don’t go for lobster but for Memphis style barbecue at the Beale Street Grill. Zappy black and white décor, blues posters and Elvis icons are a surprise to find in this historic shipbuilding city. The food is excellent: spicy and smoky with an interesting children’s menu. It’s known for its pulled pork and local brews on tap.

We had stayed late on the beach as the kids swam, and I finished Marisha Pessl’s Special Topics in Calamity Physics. Pessl has a bright and original voice that transports you back to the pains of late adolescence with its conflicting desires to judge, mock and fit in.

The narrator, a precocious high school senior called Blue, speaks in erudite footnotes, amusing, but after 500 pages, a bit tiresome. Her ironic observations are hilarious. She dismisses a potential suitor as being born in “the wrong decade” with his perfect, shiny hair earning him the nickname “Chippendales.” You keep reading for the unexpected combinations like the pretty boy’s blond curls on his sweaty forehead described as Cheerios soaked too long in milk.

The weakest part of Pessl's book was the murder or suicide mystery. I don’t think that far-fetched plot line was necessary to drive the narrative. Still, as a first novel by such a young author, it was impressive. I'd recommend this book for young adults more than grown ups.


I might look for a new book at the Bath Book Shop, which in itself is worth a trip to the little city. The cozy store promotes local authors and has an extensive children/YA’s section. The owner is as knowledgeable as the best children’s librarians.


Up the brick sidewalk is Reny’s, an old five-and-dime. Great place to find anything from camping chairs to discounted men’s clothing. At a corner over-looking the Kennebec River is Café Crème, a Wi-Fi hotspot with homey charm, featuring native ice cream. After a reviving espresso, you can browse the trendy boutiques and antique stores or visit the excellent Maine Maritime Museum.


Bath doesn’t appear to have changed much since its high days of being a wealthy ship captain’s town, but it has. Iron naval ships instead of wooden clipper ships are constructed on the Kennebec River that flows deep to the ocean. Charming Victorian and earlier period houses adorn tree-lined streets, but the city is no longer in past century financial boom. Bath Iron Works dominates the skyline and drives the economy that is increasingly becoming dependent on tourism.


Bath is worth a stop off Rt. One, driving east from Brunswick. It encapsulates the Old World meets next generation feeling of mid-coast Maine. It’s as nice a mix as the frozen cappuccinos I wasn’t able to find when I moved north a decade ago. Have I really lived here that long?

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Wednesday, May 16, 2007

Portland Nightlife


“Oh-my-God-oh-my-God, it’s Professor Kitch!” shrieked a Bowdoin blond. When Aaron Kitch isn’t teaching Renaissance literature at Bowdoin College, he plays keyboard in the 80’s revival band, Racer-X.

The lead singer and guitarist, Vineet Shende , teaches music at Bowdoin. Vin had just come back from a semester sabbatical in India, studying sitar and letting his hair grow as long, black and curly as mine. For their gig at Ri~Ra in Portland, Vin clipped his hair short and donned a wig. Stretch pants and leopard print replaced his trademark jeans and leather jacket. Could this be my soft-spoken friend?


If Henry and I hadn’t gotten there early to see Racer-X set up, I doubt I would have recognized our mates. It wasn’t only their clothing that had changed. With the amps ramped up, the lights flashing and 20-year-old girls dancing and screaming, these professors were rocking.


Portland is the biggest city in Maine, a half an hour south of Brunswick. By day it’s a brick and cobblestone boutique haven of Old World charm, but by night the over-booked restaurants and bar crowds spill onto sidewalks as does the music of live bands.


The city doesn’t come alive until late, so we killed time at Books Etc. (open until 9pm Thursday-Saturday and every night during the summer.) I skimmed the new releases, pleased to see most were in my genre of women’s fiction. In the used book section I discovered a hardcover copy of Amitav Ghosh’s The Hungry Tide, the best novel I’ve read in the past year. I read about two books a month, mostly in my genre and in literary fiction. I’ve found the best writing teacher to be a well-written novel.


The stalking tiger on the cover of The Hungry Tide is as beautiful as the fairytale inside. It’s a contemporary story set in eastern India where deified tigers roam free and viciously wild in tidal country. The tough Indian-American heroine has come in search of the elusive river dolphin and inadvertently her ancestry. She hires an illiterate fisherman whose knowledge runs deeper than the hidden pools. It’s a world beyond intellect, ruled instead by dreams, spirits and unpredictable storms. The prose is as captivating as the story that compels the reader to read, return and read again like a favorite song.

I’ve always enjoyed books written by Indian authors. The setting is exotic but the English fluent. There is respect for family, nature and spirituality both rigidly confined and enhanced by culture. Two other favorite novels are Vikram Seth’s A Suitable Boy and Arundhati Roy’s God of Small Things. I’ve never read a better collection of stories than Indian-American Jhumpa Lahiri’s Interpretation of Maladies.

Lahiri’s novel The Namesake has just been released as a finely acted film. Vin says it’s the story of his life: “Did she call up all the people I know?” It’s a modern tale of Bengali immigrants whose son, Gogol, grows up to date a blond. Gogol is torn between his heritage and mainstream culture, struggling to find his footing in a world that sees him as a foreigner, despite being a native born American.

The Namesake rambles like many first novels, but it speaks with heartfelt honesty. You can almost forgive the hopeless plot that is more of an overstretched story than a novel. As a New York Jew living in small-town Maine, I’m drawn to tales of displacement and discovery.

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Wednesday, March 21, 2007

Irony in the Closet

Kennebunk Beach

Just my luck to have a big snowstorm on the day my parents were due to drive from NYC to Maine. Undaunted, they followed the storm all the way up the coast. My mother said it was fitting since I was born in a freak two-foot snowstorm in NYC forty years ago. She’s always loved storms.

We met my parents for dinner at the best restaurant in Portland. My favorite dish at Fore Street is the wood oven-roasted mussels, and the quail is always fabulous too. Outside the snow swirled in dizzying circles, but the open-fire kitchen and raw brick walls lent a warm atmosphere.

After dinner my parents drove our kids home while Henry and I headed south to Kennebunkport. The White Barn Inn houses a gourmet restaurant, a spa and luxurious accommodations. It felt like a European four-star hotel right down to the courteous foreign staff. A young man pointed out that there was “irony in the closet.” He meant an ironing board. I’ve made more than a few similar mistakes in French so I didn’t laugh.


Meals were served in the old barn with an eclectic mix of fine oil paintings, life size cows, stained glass and table ornament animals forged out of cutlery. The eight-course dinner by the English chef transported us to gourmet London. I especially enjoyed the palate cleanser of beet sorbet in balsamic vinegar. The accompanying wines were perfect as was the raspberry soufflé. It was hard to chose among all the cheeses, both local and European.

Add to the experience a massage in a fire-lit couples room followed by an English high tea, and I realized turning forty wasn’t half bad. They even dug our car out of the snow.

We had a simple lunch at Alisson's in Kennebunkport. The cute little bungalows stilted over a canal made me think of a European hamlet, but the wild, marshy expanse of river feeding into the ocean was pure Maine.

We spent a good hour browsing at the Kennebunk Book Port. If anyone has a dream of owning a quaint bookstore, it’s for sale. There wasn’t a huge selection, but it had been carefully chosen and housed in the loft of a 1775 rum warehouse overlooking the water.

Even though I travel with a bag full of books, I picked up Alice Hoffman’s Blue Diary. It’s a book somewhat similar to mine: a well-written page-turner about a family in jeopardy set in a quiet New England town. It explores relationships and betrayal. I’m halfway through and enjoying it.


Back at the inn by our fire, Henry read aloud Pierre Daninos’s Major Thompson and I (1957.) It reminded us of P.G. Wodehouse with amusing tales of the English upper class. The passage tying English temperament to the erratic plumbing was hilarious.

I know England well thanks to my British husband. Henry and I met at Harvard 19 years ago in off-campus housing. My phone wasn’t working so I went down the hall to try it at a friend’s, but she wasn’t in. I randomly knocked on another door, and there was Henry with his gorgeous green eyes and charming accent. He was flipping pancakes with a room full of Brits for Shrove Tuesday. He listened to my explanation and then said, “Get rid of the phone and have a beer.”

Henry said that it was love at first sight. On our first date we saw the movie of James Joyce’s The Dead and ate sushi. Henry brought me daisies and chocolates the next day and was nonplussed to find me with another man – he didn’t know my handsome friend was gay. When I caught the flu, Henry looked after me, cooking a delicious chicken tarragon stew. He could recite Monty Python and Shakespeare.

Three and a half weeks after we met, Henry proposed. Four months later, I accepted. We were living together that summer in London. He kept trying to trick me with the triple negative: “Is it not true that you would not consent to refuse to marry me?” Other times he’d conjure a double rainbow over the Thames. I didn’t stand a chance. I’m still crazy in love with him now. There’s nothing like a romantic weekend away to bring it all back.

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Wednesday, March 7, 2007

The Next Meal


My family has a rule (too often broken) that if you’re still eating one meal, you can’t talk about the next meal. We’ve planned entire vacations around fine dining. Depressed in Switzerland, we once drove across the Alps to Italy just for lunch on Lake Cuomo, and it was worth it. In the 1970’s, before Zagat’s and food bloggers, my dad got written up in The New Yorker for his personal computer program allowing you to pick a NYC restaurant by cuisine, quality, atmosphere, price and location. When I visit my parents in Manhattan, I’m going to eat well both in the home and out most of the time.

I flew in a day early to avoid Friday’s big storm that flooded New York and dumped a wintery mix in Maine. My mother prepared sole in capered tomato sauce from Marcella Hazan’s The Classic Italian Cookbook. My father broke out the last Mondavi Blanc, which had aged since 1978 in his self-made wine cellar (an insulated closet with an AC.) My dad’s a venture capitalist so the conversation is often interesting. That night we discussed funding a proposed expedition for sunken treasure.

For lunch on Friday my mother and I crossed Central Park to the West Side for Vietnamese food. The Saigon Grill at 90th and Amsterdam has a sister restaurant on the East Side, but it’s closed for renovation. To call Pho Bo an oxtail noodle soup does not capture the subtle flavors of the paper thin sliced beef in the piquant broth. Fresh Oriental basil, sprouts and hoisin sauce come as condiments. You can easily eat lunch for $6 a person, but you won’t be alone. The cavernous restaurant was packed, but the service was prompt.

We met my father for dinner at Maya (1st Ave at 65th), a gourmet Mexican restaurant with high ratings in Zagat’s and even a mention in the Michelin guide. I don’t know if the chef just quit or what, but the food was disappointing. The special ceviche tasted like rubber in ketchup. My father ordered his favorite chicken mole, but it was no better than my special tuna nor my mother’s red snapper. At least the margaritas and mojitos were good enough to drown our sorrows.

Saturday night I went out with my old Dalton School friends. Deb drove us downtown to 20th and Broadway for Abigail’s and Andy’s joint 40th birthday party. Deb can find a parking spot anywhere, which is quite a skill in Manhattan, especially given the size of her Range Rover. In the city if you see a parking spot you take it, even if you don’t need it.

Craftbar is known for its excellent food and cool décor. The two-story open space dining room was all black, white and red transected by what looked like a fire escape. Abigail had booked the private dining room below, which was perfect for 30 guests. Remember the banker who was reading War and Peace on his Blackberry at the last NYC party (see first blog)? Well, he’s quit, but only because he didn’t like the book. Everyone laughed to hear that I too had quit after 150 pages.

On my recommendation, my friend is now reading and enjoying Lewis Robinson’s Officer Friendly. Robinson is a young Maine author who has an MFA from the Iowa Writer’s Workshop. He also apprenticed with John Irving. A gifted and original storyteller, Robinson writes in a very male voice, which is, perhaps, part of his appeal. His perfectly crafted stories are about sensitive but manly men set in small town Maine under extenuating circumstances. I hear he has a novel coming out soon – I’m awaiting it eagerly.

On Sunday I met my cousin for lunch. I don’t have a sister, but Gabrielle has been like one to me. Our lives have intersected and reversed over the years. She grew up in a southern college town with an academic father while I grew up in NYC with an investment banker father. At my wedding, Gabrielle met our best man Fabio, a banker, and they fell in love. Now they live in NYC, and I’m married to a college professor in small town Maine.


The lunch at Boucheron Bakery was very good, but the setting was even better. It was worth the ridiculous price and long wait for a table. Suspended on the third floor balcony, the view over Columbus Circle to Central Park is spectacular. The AOL/Time Warner building is an oddity in the city – it’s really a mall if an upscale one at that.

After lunch we scanned the new titles at Borders, and then walked up Broadway towards Gabrielle’s home. We stopped into her local grocery store, crossing a picket line against (I kid you not) foie gras. I agree it’s too cruel to force feed geese, but only in NYC would it be worth a demonstration. Gabrielle abandoned me at yet another bookstore (I admit to being a junky.) I resisted the urge to buy since I was half way through a library book (Debra Ginsberg’s Blind Submission – very funny parody of the literary world.) I walked home through Central Park in time for a fine dinner of spit-roasted chicken stuffed with cellery and ginger crafted by my dad.


Before I flew back to Maine, my mother and I visited the Neue Galerie and had lunch overlooking Central Park. Café Sabarsky is known for its Viennese desserts – an excellent place for tea in an Old World setting. Most of the museum was shut in preparation for the Van Gogh and Expressionism exhibit (3/22-7/2,) but we could still admire the golden Klimt’s on display.


The first day back home in Brunswick, I was afraid to go outside even to walk the dog. I woke up to minus two and high winds. Stella popped out her dog flap and then promptly went back to bed, hiding her ice-cube nose in her paws. The temperature never made it into double digits. Still, it’s great to be back home with my family and time to write.

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Wednesday, January 31, 2007

Good Beginnings


I met my last reader, Mary Sreden, for lunch at Renaissance Bistro in Brunswick. Across from the old mill on the Androscoggin River, the tiny restaurant is a crimson gem of local art and ingredients. I have to admit I enjoyed the atmosphere more than the food, but that was only because the mint dressing was too oily on my duck salad. My starter, an apple-pear-squash soup, was very good. It was cozy and warm, which was a relief since the morning’s minus five was still below plus five at noon. The bright sun helped, but the stiff breeze did not.

Mary is a nurse who grew up in the Midwest and attended state university. Last June she left her four children with her husband and joined a male crew to deliver a sailboat across the Atlantic. She was the cook and nurse but had no previous sailing experience aside from day tripping. The seas were rough, and she came home bruised yet loved it. I figured she could tackle the novel experience of reading critically, especially since she’s a voracious consumer of women’s fiction. I had noted and admired her ability to speak her mind but with tact and sensitivity.

If you don’t count my family and my literary agency, I’ve had six readers. These women have read drafts of Moose Crossing and offered invaluable commentary. Half of my readers were writer/editor friends, but the others were typical readers of my genre, commercial women’s fiction. Half were local and the others “from away,” as we say in Maine.

When I asked Mary to read, I had just added a prologue and cut over 30 slow pages from my opening. The problem was I had the 101 other versions in my head. I needed fresh eyes to find the flaws and the vestigial traces of old plot.

Mary found an irritating dialogue and one embarrassingly corny line, but she enjoyed the rest. She mentioned several scenes that were either funny or emotionally resonant. The characters felt real to her. Most reassuringly, she was totally hooked on the new prologue and eager to read beyond the opening chapters.

I often find what a reader doesn’t say is as important as what she does say. If she doesn’t mention a scene, perhaps it is too slow and could be cut. The trick is to preserve what is working and prune out the rest, no matter how hard you worked on it. This is no more crucial than in the opening chapters of a novel.

I love the first title in the Lemony Snicket series: The Bad Beginning. Openings are so challenging partly because you write them before you truly know where you’re going. You need to grab the reader’s attention in those first few pages or you’re lost.

Just remember your last trip to a bookstore. How far did you read? I spent a morning at Bookland reading first pages before I tackled my new beginning. Search inside Jodi Picoult’s novels for the catchy first sentence.

Even with a punchy prologue, the job isn’t over. You must move the narrative along while introducing characters and setting while weaving in back story. Good writing takes not only talent, it takes the ability to absorb criticism and use it constructively.

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