Portland Nightlife

“Oh-my-God-oh-my-God, it’s Professor Kitch!” shrieked a Bowdoin blond. When Aaron Kitch isn’t teaching Renaissance literature at Bowdoin College, he plays keyboard in the 80’s revival band, Racer-X.

The lead singer and guitarist, Vineet Shende , teaches music at Bowdoin. Vin had just come back from a semester sabbatical in India, studying sitar and letting his hair grow as long, black and curly as mine. For their gig at Ri~Ra in Portland, Vin clipped his hair short and donned a wig. Stretch pants and leopard print replaced his trademark jeans and leather jacket. Could this be my soft-spoken friend?


If Henry and I hadn’t gotten there early to see Racer-X set up, I doubt I would have recognized our mates. It wasn’t only their clothing that had changed. With the amps ramped up, the lights flashing and 20-year-old girls dancing and screaming, these professors were rocking.


Portland is the biggest city in Maine, a half an hour south of Brunswick. By day it’s a brick and cobblestone boutique haven of Old World charm, but by night the over-booked restaurants and bar crowds spill onto sidewalks as does the music of live bands.


The city doesn’t come alive until late, so we killed time at Books Etc. (open until 9pm Thursday-Saturday and every night during the summer.) I skimmed the new releases, pleased to see most were in my genre of women’s fiction. In the used book section I discovered a hardcover copy of Amitav Ghosh’s The Hungry Tide, the best novel I’ve read in the past year. I read about two books a month, mostly in my genre and in literary fiction. I’ve found the best writing teacher to be a well-written novel.


The stalking tiger on the cover of The Hungry Tide is as beautiful as the fairytale inside. It’s a contemporary story set in eastern India where deified tigers roam free and viciously wild in tidal country. The tough Indian-American heroine has come in search of the elusive river dolphin and inadvertently her ancestry. She hires an illiterate fisherman whose knowledge runs deeper than the hidden pools. It’s a world beyond intellect, ruled instead by dreams, spirits and unpredictable storms. The prose is as captivating as the story that compels the reader to read, return and read again like a favorite song.

I’ve always enjoyed books written by Indian authors. The setting is exotic but the English fluent. There is respect for family, nature and spirituality both rigidly confined and enhanced by culture. Two other favorite novels are Vikram Seth’s A Suitable Boy and Arundhati Roy’s God of Small Things. I’ve never read a better collection of stories than Indian-American Jhumpa Lahiri’s Interpretation of Maladies.

Lahiri’s novel The Namesake has just been released as a finely acted film. Vin says it’s the story of his life: “Did she call up all the people I know?” It’s a modern tale of Bengali immigrants whose son, Gogol, grows up to date a blond. Gogol is torn between his heritage and mainstream culture, struggling to find his footing in a world that sees him as a foreigner, despite being a native born American.

The Namesake rambles like many first novels, but it speaks with heartfelt honesty. You can almost forgive the hopeless plot that is more of an overstretched story than a novel. As a New York Jew living in small-town Maine, I’m drawn to tales of displacement and discovery.

I Hate Yoga

It seems like everyone is doing yoga. Even I wear the comfortable clothing when I’m writing. I do some of those stretches in the morning. I have nothing against the culture that produced it. My husband teaches in the East Asian Studies department at Bowdoin College, and yoga has done wonders for him.

Maybe I just had a bad first experience. It wasn’t the teacher’s fault, and the Bowdoin yoga club couldn’t have been more welcoming. Imagine this: a room full of 30 willowy women between the ages of 18-21 in spaghetti straps and drop-waist pants. A fantasy for any man, but a bit intimidating for a woman twice their age. I squeezed my mat into the far corner of the cavernous room.

In college, my roommate and I used to hang in the back row of aerobics with the men’s hockey team. We didn’t want to be anywhere near that wall of mirrors reflecting “the Goddess” and her bare-midriff attendees. Remember Jane Fonda in skimpy spandex and big hair? My roommate wore her splattered house-painting clothes, and I hid in shapeless sweats. We needed someone to shout at us to get in shape. The Goddess was from California: tan, fit, perky and blond. That might have explained the hockey team.

There were no male hockey players in the yoga club at Bowdoin. The only young man was the president of the outing club and could bend a mean bridge. The students all looked happy to be there and relaxed, but not I. My doctor had recommended yoga for stress and insomnia. Every week at yoga I discovered a new muscle to strain.


Was yoga at least relaxing? I’m writing a book called Moose Crossing, and there’s this enormous moose head on the wall. I tried a different location, but like in a Renaissance painting, the glassy eyes followed me around the room. If you read my novel carefully, you’ll find that very moose head, insinuated upon one page.

It wasn’t just the decapitated moose; I’ve never been much of a joiner. At school I signed up for dance to avoid being the second to last girl picked for team sports. I wasn’t a couch potato either. I enjoyed skiing, swimming, biking and horseback riding and still do. It makes sense. As a writer, you have to like being alone and not following the pack.

Literary Heroes

On Valentine’s Day it’s snowing and nine degrees. The kids are home from school with up to eight inches expected. They're outside, installing a second ice window in their fort. My husband is coming home rather than meeting me for a romantic lunch in town. Still, fresh snow is good, like a blank sheet of paper waiting for new words.

My favorite non-fiction author,Tracy Kidder, had “a problem of goodness” when writing Mountains Beyond Moutains. It is a chronicle of Dr. Paul Farmer's global quest to cure the poor of illness. Kidder explained to a packed auditorium at Bowdoin College last Friday that it is the reporter’s duty to dig up the dirty secrets. And yet Kidder couldn’t find a chink in Farmer’s armor. A friend had told me that Farmer is called “the saint” by his coworkers. He seemed too good to be real. “Honesty is necessary but not sufficient to make what you believe to be true to be true to readers.”

In order to make the book believable, Kidder inserted himself as a character in his book for the first time. He became the everyman foil to the selfless, brilliant Farmer and takes the reader along for a ride through a world of darkness, following the light of hope. We travel with Kidder and Farmer to poverty stricken Haiti, Russia and Peru and see first hand what a difference a small group of people can make in setting up clinics to cure the poor of TB and other illnesses. Partners in Health succeeded where governments had failed.

Kidder’s other literary problem was that he might alienate his reader. “Good provokes and makes us think about things we are not comfortable about.” Such as the fact that our American “life of privilege is built at least in part by misery elsewhere.” Employing the first person narrative, Kidder candidly shows how he, like you the reader, is less than perfect and even selfish. Even so we can still so do our bit to narrow the gap between rich and poor to a more “dignified poverty.” It’s a message of hope instead of despair.

At the end of the moving presentation, a preppy Bowdoin student turned to her friend and said, “Now, I want to be a doctor!”



I joined a long line of students and professors at the signing. Bowdoin senior Selina Asante was raised by grandparents in Ghana before moving to New Jersey. Like Farmer, she chose to study anthropology and science at college. After graduation, she will return to Ghana to volunteer with Unite for Sight. She found Kidder’s words inspiring as I did hers. Kidder was thrilled to hear about Selina’s plans from me. He said that his own daughter was in medical school but modestly took no credit for it.

Kidder, so well spoken and charmingly funny on stage, seemed almost shy when talking one-on-one unscripted. I was surprised that the author, who won a Pulitzer for his engaging book on emerging computer technology, had never read a blog, but he asked for my website address with the curiosity of a journalist. What I love the most about Kidder’s writing is how he sucks you completely into the world of computers, house builders, school children or health aid workers. His characters are believable and his true books read like novels, which was why I had wrongly assumed he was a computer nerd.

Then again Kidder also wrote Hometown about small town life in Western Mass. and his first question to me was, “You live here?” This from a man who had just visited Farmer’s plumbing free shack in Haiti! Maine in winter must appear equally remote and not the first place where you’d expect to find a blogging novelist in a black turtleneck and boot cut jeans. I love that when talented writers, like Kidder, come to Maine, I actually get the opportunity to meet them.

I met one of my favorite fiction authors, Haruki Murakami, in my mudroom. My husband was taking him out to dinner with other Japan scholars at Bowdoin. I had just that day finished writing the first draft of Moose Crossing. Odder than the talking cat in Kafka on the Shore was the reclusive author’s appearance in my home on that auspicious night.

Murakami was soft-spoken and surprisingly down to earth given the surreal, disturbing tone of his original work. With almost child-like delight, he spoke about discovering some rare jazz records at Vinyl Haven in town and found Maine charming. Murakami shared my joy in finishing a manuscript and wished me the best of luck in getting published. It must have been good karma because that draft of Moose Crossing led me to my agent, Jean Naggar.

There are many fine writers who reside in Maine. My favorite elementary school author is my daughter. She wrote a scary story, The Nevergreen Forest, featuring a white-faced witch with a “voice like fingernails screeching against the chalk-board.” Even adult writers can learn a lesson from her book. Remember to employ all the senses, not just sight, when writing descriptive prose, and draw from your own experiences even when writing fantasy.

When she grows up, my daughter wants to be a writer or a photographer (she took the photo of me on skis in the second blog 1/24/07.) With help from friends, she is starting back up the school newspaper. Always drawing, writing or reading, my daughter won’t leave the house without a notebook. She’s been very curious and excited about my book. I read only the first chapter of Moose Crossing to my children (with a few sentences removed.) They laughed and loved it. It’s fun to be a literary hero, if only in my nine-year-old daughter’s eyes!

Haruki Murakami photo by Marion Ettlinger.